Amata is about two lives that graze one another without meeting, connected by invisible threads and choices that can change a person’s fate. With its intimate, sensual and deeply human gaze, Amata singles out the bodies and souls of its two lead actresses in order to explore what it means to choose. And love. Nunzia is an out-of-town student with a crushing secret: an unwanted pregnancy. Isolated, she weighs a grueling decision: keep the baby or give it up. In another place, Luca and Maddalena endure the emptiness of a new life that doesn’t arrive. After a long, fruitless trial, a chance presents itself: delicate, luminous, full of anticipation. Amata is the story of two women who intersect, fragile fighters yet strong at the same time, who imagine love, freedom and motherhood in its many forms. And a third woman, Margherita – the child. Torn between different worlds, and silent carrier of a bond that unites them, though no one knows.

Director Hugo Haas reprises the theme of romantic love in this routine yet innocent story of matchmaking. The setting is an overcrowded tenement building in which the residents seem to live beyond the reach of muggers or drug dealers or trigger-happy gangs because they mingle and mix in the halls as they energetically interact with each other.

Jill Yates' daughter Emily takes up with bad boy Gary, whose violent behavior lands him and Emily in trouble. To avoid prison, Gary and Emily appear to commit a double suicide, but Jill sets out to prove Gary has gone on the lam, taking Emily with him.

Gregory Kingsley, a boy passed off onto social services by his natural mother and abused by his natural father, finds the foster family he is put into to be the type of family he needs and takes his natural mother to court to have her parental rights revoked so that he can be adopted by the Russes. The story is based on the real case of the boy who really did have to take this action to avoid being sent back into an unacceptable situation.

A documentary that tells the epic life story of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.

Three disillusioned wives who are contemplating divorce compare notes on their stormy marriages.

一对年轻夫妇到愉快谷旅馆度周末。这个小屋原来比他们预料的还要舒适。

Documentary about Marilyn Monroe.

After a man is accused of driving his third wife to suicide, his first wife Hedda, a troubled woman who can't hate or hurt others even if they had wronged her, is subpoenaed to testify on his abusive behavior during their marriage.

A recent investigation by Yale University (2010) stated among other facts that 42% of black women in the United States had never been married compared to their Caucasian counterparts at 23%. This shocking investigation has caught the attention of media powerhouses such as ABC's Nightline, Focus Features Studios, and MSNBC. Although the statistic has been quoted through various outlets, the story of these women and the men that love them had never been addressed; it had yet to be told. It was then that I began to interview these women and the men that had once loved these black women. What were their stories? The various interviews I was able to tell the depictions, so that other black women can relate and see. The stories provided in both the novel and subsequent web-series, "Black Women Don't Deserve to be Loved", can help create dialogue between our black women, men and families.